For the Love of Printmaking publication brings together curated papers from India’s first ever symposium dedicated to Printmaking organised by IPEP India as part of its tenth year celebrations in 2023.
Just like our portfolios and the symposium this publication involves pure barter of knowledge.
“For the love of Printmaking”
Curated papers from the 2023 Symposium, a part of IPEP India’s 10th year celebrations.
on Friday, 12 June 2026, 5 pm
at National Gallery of Modern Art, Mumbai
Co-edited by NIKHIL PUROHIT and LINA VINCENT the publication brings to you thoughts from 10 COUNTRIES penned down in 15 PAPERS by 20 AUTHORS related to Printmaking theory, criticism and practice.
Team IPEP India
Team IPEP India.
Publication Support
Publication & Symposium Support
Contributors
Publishers
Rajesh Pullarwar Pradeep Patil
Editors
Nikhil Purohit
Lina Vincent
Guest Editor
Carinna Parraman, UK
Foreword by
Waswo X. Waswo
Authors
Aditi Ganeev Sangwan, Canada
Eliana Ambrosio, Brasil
Fernando Alvarez, Brasil
Glynis Lee, Australia
Indrani Nayar-Gall, India
Jennifer Mack-Watkins, USA
Josef Madisia, Namibia
Judith de Haan, Netherlands/ Norway
Kavita Shah, India
Megha Madan, India
Mel Chong, Macao
Moutushi Chakraborty, India
Paula Sengupta, India
Prashant Phirangi, India
Preeti Kathuria, Austria
Raj Kumar Mazinder, India
Satyajit Dave, India
Sujay Mukhrejee, India
Tariq Allana, India
Venugopal V. G., India
INDEX
Curated papers from For the Love of Printmaking,
IPEP India’s 2023 International Symposium (online)
Foreword
Waswo X. Waswo
Director’s note
Rajesh Pullarwar
Convenor’s/ Editor’s note
Nikhil Purohit, Lina Vincent
Guest Editor
Carinna Parraman
Engaging the Public: Spaces and Histories
Ecologically Sustainable Printmaking
—Inspiring Creative Communities
Aditi Ganeev Sangwan
Why do printmaking studios not thrive?
Kavita Shah
Activism and Assertion: Posters and Prints as
Forms of Resistance in Indian Contemporary Art
Preeti Kathuria
An Unlimited Future for Printmaking
Tariq Allana
Living A Dark Night: Articulating the Artist’s Voice
Dr. Paula Sengupta
Evolving Impressions: Decoding a Decade
of Printmaking in Bengaluru
Venugopal V. G.
Contemporary Printmaking Eminence of Assam: An Overview
Dr. Raj Kumar Mazinder
Re-connecting Histories: Discourses Woven out of Archives
Moutushi Chakraborty
Studies in Pedagogy and Practice
The Print: Matter in Matrix—Postulations on Curatorial
and Pedagogical Frameworks towards Printmaking
Satyajit Dave
A Case Study: The Practical Subjects of
Printmaking Studio in Earte (Remote Hybrid Learning)
Fernando Alvarez
The Printed Mural and the Printed Animation: Indexical traces
Sujay Mukherjee
Processes and Possibilities
Non-Toxic Printmaking: Adaptation and Challenges
Dr. Prashant Phirangi
Toward an eco-conscious printmaking movement
Indrani Nayar-Gall
Connections—Tales That Split Apart
—Now Bind Together 7 Continents, 6 Rabbit (Or Hare) Stories
Judith de Haan/Glynis Lee/Jennifer Mack-Watkins/
Josef Madisia/Mel Cheong/Eliana Ambrosio
New and Innovative Print Practices
Dr. Megha Madan